Remarks To VCC Philosopher’s Cafe on Casino Expansion

Suzanne Anton, Sean Bickerton, Clr Geoff Meggs and Charles Gaultier (DVBIA)
Photo Credit: Donald Gislason
Last evening I was invited to participate in a panel discussion on casino expansion with Councillor Geoff Meggs, Suzanne Anton and Charles Gaultier from the Downtown Business Improvement Association at a VCC’s Philosopher Cafe, held every two years for graduates of their Executive Cohort in hospitality management. My initial remarks follow:
Good evening honored guests and fellow panelists. Congratulations Graduates! And thanks to VCC and Tourism Vancouver for sponsoring this debate.
My name is Sean Bickerton, and I’m a co-founder of the Vancouver Not Vegas Coalition and a partner in ArtistManager.Net – Talented Websites For the Most Talented People in the World.
I’ll repeat that: Half of all US casinos are in bankruptcy. And the Chairman of the Nevada Gambling Control Board expects more to follow.
Bankruptcies are not uncommon in this industry. To the contrary! Every single one of Donald Trump’s casinos in Atlantic City have gone bankrupt. Not just once. Three times.
Foxwoods casino, touted as a destination casino for New York City, has just announced it has debts of $2.3 Billion! And the Mohecan Sun, also in Connecticut, faces “a wall of debt” according to Moodys, nearly $1 Billion in debt. Guess who those billions are owed to? Local governments and businesses on the hook for the largest casino debt in world history!
Closer to home, Vancouver’s Edgewater Casino went into bankruptcy in 2006 for $52 million … before it was bought up by Paragon Gaming. But just this March, Paragon’s own president announced their Alberta River Cree Casino was on the verge of bankruptcy and unable to make payments on a $111 million loan.
If there’s anything I’d like you to take away from today’s talk, it’s the simple fact that casinos are not a sustainable business. And the rewards they offer are fool’s gold: the promise of something for nothing.
The entire free-enterprise market our economy rests on is based on the fundamental concept that capital should be directed to its “best” or “most productive” use through a marketplace that competes for that capital. The simple reason the world economy collapsed in the fall of 2008 is because capital was diverted from its best use and plowed instead into Ponzi schemes. Best most productive use, therefore, is no inconsequential measure.
And on that basis, any commercial enterprise designed to funnel money directly out of your pockets into government coffers offers the worst possible, least productive use of capital that can be imagined.
Instead of that money turning around in the local community two or three times, generating jobs, sales, profit, investment, generating taxes earned honestly by the government, the money is instead sucked right out of the economy.
Allowing Edgewater Casino to expand would be like placing two giant vacuum hoses hoovering up dollars in the heart of downtown Vancouver, one stretching directly to the Parliament in Victoria, and the other straight into the pockets of the American owners.
When you add in the social costs — casinos make 30% of their profit from problem gamblers unable to pay rent or buy food and clothes for their children — imagine for a second how quickly that expanded casino starts to hollow out the local economy your businesses all depend on.
What about that money promised to government? That sounds good when governments are facing deficits.
When first proposed, Paragon announced the city would receive $23 million a year from an expanded casino. That was later revised to $17 million, and then BCLC announced they had no faith in those projections, stating their own estimate was approximately $11 million or half of Paragon’s estimate.
That amount is interesting because its the same amount the city was promised when the Edgewater Casino was first approved. The actual return to the city was less than half that at its peak, ranging from a low of $3.8 million to $6 million in the best year.
What all of these broken promises, shrinking projections and industry-wide bankruptcies make abundantly clear is that every casino is a gamble, and the larger the casino, the bigger the risk.
My concern is ensuring that local taxpayers and businesses aren’t left holding the bag.
My Titanic Daliance With Ricky Martin & Bo Xilai!
It’s amazing how The Titanic keeps coming up!
In the news I mean.
First there was Director James Cameron‘s death-defying plunge into the icy depths of the Mariana Trench; then the media craze over the 100th Anniversary of the Titanic’s sinking, all just in time for an epic new 3-D version of the movie.
For a ship that sank 100 years ago, that’s quite a splash!
Released in the fall of 1997, The Titanic also had a huge success in China.
The following Spring, I received a call from a somewhat desperate Chinese official asking if I could I help get the film’s stars – Leonardo DiCaprio and Kate Winslet - to China that September to sing songs from the movie.
It was a crazy request, but a decade after Tiananmen Square, China was eager to re-engage with the west. Even after I patiently explained that Leo and Kate were movie stars, not singers, and that the Titanic was not a musical, the caller refused to be deterred.
“Couldn’t they just lip-synch?” he asked. Money, he assured me, was no object.
I knew without asking that a star of Mr. DiCaprio’s stature was never going to sing, lip-synch or otherwise. But I thought he might want a chance to see China. So, crazy or not, I asked; but Mr. DiCaprio was locked into rehearsals for Celebrity and The Man In the Iron Mask.
“Could you suggest someone else?” the contact asked.
I started scouring pop charts for emerging stars in Asian markets, watching videos, looking for someone big enough to sell out a stadium but new enough to be available on short notice.
We discussed one artist after another but no one interested them until a young singer named Ricky Martin, who was burning up the Spanish-language charts.
He’d just had a big splash performing a breakout hit – ‘The Cup of Life’ at the World Soccer Cup in France - for a worldwide TV audience. Kids in China were crazy about soccer and they had all seen Ricky’s performance at the World Cup. They loved the idea.
By this time it was late August, and I was with my partner, Tom, up at Sakinaw Lake. I had no fax, no online access and a cellphone that only worked if I walked back up into the woods behind the property.
Nonetheless, working with Hollywood agents, a UK rock producer, Ricky’s close-knit team in Puerto Rico, Lloyds of London, a fax machine at the tiny general store in Garden Bay and my new best friends in China, the deal was finally signed less than two weeks before the show!
Tom and I flew ahead to make sure everything was ready. On arrival in Bejing, we were met at the door of the plane and whisked straight out to a waiting cavalcade of cars. Tom was hustled into one car and I another.
I had no idea if we were being honored or arrested. There were six cars in all, two police cars up front and one behind, all with lights flashing and sirens blaring. They cleared traffic for us all the way to our hotel and thankfully we were delivered to the Mandarin, not the slammer. A day later we were up in the northeast corner of China in Dalian.
Ricky arrived with an entourage of twelve – two London agents, the rock producer, dancers, and Ricky’s close-knit, trusted team from his days as a teen hearth-throb in Menudo. His motorcade was spectacular, like an American President had arrived! They shut down the entire freeway for him.
Ricky is a genuine, kind person, a little shy and his team from Puerto Rico is protective, but they’re good guys and we enjoyed the chance to get to know them through a pretty intense week.
And to answer the obvious question, yes, Ricky did spend a lot of time in my hotel suite, almost an entire day once … recording shoutouts for every radio station in China, endlessly crooning: “Hi, this is Ricky Martin, coming to you on CTR1 …” etc.
How does Bo Xilai – figure of international intrigue, son of a revolutionary hero, and, just a few weeks ago, heir-apparent to Deng Xiaopeng - fit in?
In the late 90s, before he had risen to international prominence, Mr. Xilai was Mayor of Dalian, and he invited Tom and I to lunch the day after we arrived to thank me for helping them out of a jam – they had no show without Ricky. It was a small group in a private room and I sat next to him.
He was gracious, affable and attentive as a host, highly intelligent and had a good sense of humor. Occasionally he would turn to me, as can be the custom in some cultures, and burp while we were chatting, smiling widely to indicate his great enjoyment of the meal and comfort in my presence.
And I in turn did my best to indicate equal enthusiasm. It wasn’t eructational etiquette that flummoxed me that meal. I was in excruciating pain because a filling had fallen out while we were eating!
I didn’t want to disrupt the lunch, so I waited until we were finished before quietly mentioning my problem. Within the hour I was in a nearby dental clinic where a very gentle older dentist replaced my filling with one that lasted for years.
The group that got me involved very well connected, as I learned over three days as we drove from city to city for meetings. A pattern was quickly established. The Mayor of each city would be waiting for us at the city gates as we arrived. Everyone would get out of their cars, greetings and introductions were exchanged on the side of the freeway, we’d all pile back in and drive the rest of the way into the city for our meetings.
There were elaborate banquets, formal lunches, demonstrations, exhibitions, press conferences and signing ceremonies. I met Ministers, Governors, Mayors, bank heads and one dignitary after the next.
It was all a bit over the top, but I played my part and gave speeches and many toasts about peaceful relations, international cooperation, the need for cultural exchange and the fraternal brotherhood of mankind.
My hosts were so kind and solicitous that if I mentioned an interest in acrobatics, we’d be off that day to an elite gymnastics academy. A polite expression of interest in Chinese opera became a command performance the same afternoon.
One Sunday afternoon I asked about the recently discovered Terra Cotta Warriors. Within an hour, the Director had opened the museum and was giving us a private tour.
Back in Dalian, on the night after the dress rehearsal, I was invited to a special dinner with a Minister of Culture, so I dressed to the nines. But when I showed up in the lobby they all laughed, made me take off my jacket and tie, and explained this was a night out with the boys – no ties, no jackets, no formality, just their close group of friends.
We drank a lot of beer that night and had a lot of laughs, more than one at my expense! They took great delight in ordering things I’d never eaten before and watching my reaction as the Minister carefully placed choice items on my plate. But I held my own and felt privileged to be included.
Ricky was headliner for an extraordinarily lavish opening ceremony of an International Fashion Festival put on each year by the city of Dalian.
It was a massive production in a 60,000 seat stadium with 8,000 dancers, a choir of 1,000, orchestras, marching bands, paratroopers zipping down from the sky in formation, lasers, the works! They even had a U.S. Secretary of State among many other international dignitaries.
Then Ricky appeared with his dancers, the crowd roared, he crooned The Cup of Life and Maria, gyrated those sinuously loose latin hips, the entire place went nuts and it was all over!
And that is the story of my Titanic Dalian-ce with Ricky Martin and Bo Xilai!
Making Music In Manhattan
I was born at the dawn of the Space Age in a nation not yet formed, subject of an Empire that no longer exists.
I remember staring starstruck up at Sputnik, that first resounding Soviet shot across our technological prow, watching it glide silently past so impossibly high overhead, glittering bright but tiny against the vast black of the night sky, far far beyond my grasp.
I craved then the futuristic modernity that tiny man-made satellite symbolized so powerfully, a Jetson’s jet-pack future light-years removed from my own unadventurous life spent playing in the woods and building forts.
But many years have passed since then, and all early indications to the contrary, I too eventually managed, like Sputnik, to reach an escape velocity capable of sending me soaring far up and away from that quiet gravel lane on a few revolutions of my own.
For two of those decades I lived in Manhattan with Tom, now my husband, and this is the first in a series of tales about my life there working with some of the greatest (and not-so-great) performing artists of the world.
When I first arrived in the spring of 1986, New York wasn’t the clean, touristy playground people visit today. Ed Koch was Mayor, the crack epidemic was peaking, Times Square was squalid (but more fun!), Hell’s Kitchen was infested with gangs (not an up-and-coming gay neighborhood) and Central Park was anything but safe.
I was there to start a new job as Managerial Assistant to Tommy Thompson, a Senior VP of Columbia Artists Management Inc. To help get me settled, Tommy had reserved a room at the 60th Street YMCA at Lincoln Center for my first few nights in the city. It was convenient, just a few blocks from our offices at 57th and Seventh.
But it was so old, so grey, and so grotty! Like a set from a 1950′s zombie film, and that includes the inhabitants! At least upstairs. Later friends told me I’d missed out on a Bacchanalian fantasy down in the swimming pool locker rooms, but all I ever saw was the alte kochian dystopia upstairs and I couldn’t get out of that place fast enough.
I didn’t know anyone in New York, but I had one name and number scribbled on a piece of paper by David YH Lui, thrust into my coat pocket as we said goodbye. David said he didn’t know Andrew well, but thought he was involved in the theatre.
I called Andrew within days of arriving to find him frantically getting ready to leave for London. “Would you be interested in a temporary sublet?,” he asked.
I raced over immediately and couldn’t say “Yes!” fast enough. It was a spectacular apartment in a new 52-story doorman building just blocks from Lincoln Center. And they were so desperate to find someone to keep an eye on things that I could afford it even on my pitifully small $18,000 salary.
It’s a truism among young New Yorkers that it’s only ever possible to have two of three things: the perfect job, the perfect lover or the perfect apartment, but never all three at once.
When I landed in Manhattan, I already had the perfect job, despite the low salary. Two weeks later I found myself moving into the perfect apartment.
But it wasn’t until I jumped off the roof of that 52-story building that I found true love.
To be continued …
Happy New Year!
“Out with the Old and In with the New!” has never rung more true for me than it does with the advent of 2012!
It’s only been five years since I moved back to Vancouver after twenty years away in New York. It’s taken that long just to find good Mexican!
So it was a complete accident when I got caught up in local politics during efforts to improve my building.
When Peter Ladner came over to ask me to run, I spent the first half hour pointing out to him how unsuited I was then to be a candidate, having just moved home, with so few connections, etc.
But I’m incapable of doing anything half-heartedly, especially when it comes to underdogs, and what should have been a brief political detour ended up consuming the next three years of my life.
Some have taken exception to my post-campaign public renunciation of local politics and the demands of public life, thinking it originates from pique or is just a bruised ego talking.
Bruised ego aside, something I readily own up to, this last campaign left me in debt and it’s out of necessity that I must turn my attention to the responsibility I owe first to my family, as well as to the cadre of internationally-celebrated, grammy-award-winning clients we serve through our business, ArtistManager.Net: Talented Websites For The Most Talented People In The World!
I have spent my entire life involved in the performing arts and entertainment and had the privilege of working at the top of that profession internationally, first as a VP with Columbia Artists Management and with my own agency IAG, and now producing state-of-the-art websites that renowned artists use to communicate with the world.
I love Vancouver and the hundreds of remarkable people we’ve had the pleasure of meeting through politics since moving back, and I’ve grown immensely through the experience.
But I believe after three years of intense service that I’ve more than discharged any obligation I ever had to the NPA – twice over in my own estimation.
Now I must – and am eager to – focus my energy and attention on the re-imagined, reinvented, next-generation incarnation of our business that we will be launching next month.
The importance of community remains one of my fundamental values though, as does the prime importance in life of the arts. So I continue as Strata Chair of my building – Paris Place – continuing efforts to improve quality of life for our residents and for my neighborhood, in cooperation with the Crosstown Residents Association and False Creek Residents Association.
I also remain Chair of a Strategic Task Force for the Langley Community Music School co-founded by my sister Linda, third-largest music school in BC and one of the largest in western Canada.
And I will continue to write and speak out on issues I believe are important to a Canadian way of life I see as increasingly threatened.
Tom and I end 2011 a little leaner but much greener and even keener than ever before to meet the challenges of trying to invent a small but excellent slice of the future, an adventure we’ve been involved in conducting together since we first met in 1986, my first year in New York.
To everyone chasing their dreams, I salute you and share your passion for what comes next!
Here’s to a fabulous 2012!
What Really Happened!
Much has been written about the last election, and many more will offer their own analysis in the weeks and months to come. But now that we’ve all had some time to reflect on the results, I think it’s time for the NPA to admit what happened.
What actually happened this election is that a group of dedicated, principled, passionate individuals that care about the future of our city got together and did everything they could to help a group of candidates, including myself, get elected.
That’s right, you heard it here first!: “A group of dedicated, principled, passionate individuals that care about the future of our city …”
A Funny Thing Happened On The Way To the Voting Booth
It can be a bit humbling, learning just where one fits on a scale of the city’s affections, in my case somewhere just below the barn-burning Tim Louis (Love you Tim!), just higher than a newbie with a bit of baggage. Even tougher to contemplate the lack of enthusiasm from a party I’ve worked hard to help rebuild over the past three years.
C’est la vie.
But I wasn’t the only casualty. How is it possible we’ve spent more than $2.5 million to go from the lowest-ever representation on council to our second-lowest representation ever?
There were only seven incumbents running for ten spots and one didn’t make it, leaving four spots open. Given that the NPA was the only viable alternative, we should have taken at least three council seats, if not four.
Especially after one of the worst riots in the city’s history, a quarter billion dollars in losses at the Olympic Village, and neighborhoods across the city up in arms. Everyone agreed council needed re-balancing.
Dear Friends, Supporters, Donors & Volunteers
Many thanks for the thousands of kindnesses you’ve shown me over the past eight months!
Thank you for the hours spent phoning, the free haircut, the time spent on cold, rainy nights handing out my flyers, and for the friendliness you showed meeting me on corners when I was handing out my own.
Thank you for encouraging me along the way, helping my campaign, telling your friends to vote for me, advising me, introducing me to your circle, donating, volunteering, endorsing my candidacy, showing up, taking a sign, etc. Together, we have done everything possible to make voters aware of the issues I believed were important in this campaign.
But the voters have spoken, decisively rejecting a Mayoral campaign based on puerile, sophomoric, gotcha-style attacks and trivial wedge issues.
In the process, voters have also rejected my candidacy for a second time. Having no choice but to accept the wisdom of their decision, I will be withdrawing from public life and service in order to focus more time and attention on our business.
Congratulations to Mayor Robertson on his victory, and to his Vision council which has received a resounding endorsement of their policies and a clear mandate for the next three years.
I would also like to congratulate two exemplary council candidates, Elizabeth Ball and George Affleck, who conducted themselves with grace and class throughout a grueling and contentious election, and to two super new Park Board candidates John Coupar and Melissa De Genova.
Thank you again,
Sean




















